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This tale is unique in the Lovecraft canon, for it was ghost-written for Harry Houdini at the request of J.C. Henneberger, the owner of Weird Tales, which published it in the May-June-July consequence of 1924. Henneberger was trying to heave readership, the "Ask Houdini" communication column he had instituted was popular, and the 2 brusque stories supposed written by the great magician had gain favorable attention equally well. What could be ameliorate—Henneberger reasoned—than a truthful life adventure of Houdini'southward, the
This tale is unique in the Lovecraft canon, for information technology was ghost-written for Harry Houdini at the request of J.C. Henneberger, the owner of Weird Tales, which published information technology in the May-June-July effect of 1924. Henneberger was trying to boost readership, the "Inquire Houdini" advice column he had instituted was popular, and the two brusque stories supposed written by the great magician had gain favorable attention as well. What could be better—Henneberger reasoned—than a true life adventure of Houdini's, the tale of how he escaped being spring and dropped from a rope into the heart of the Great Pyramid itself?
The story features a lot of padding, and not terribly much tension. Lovecraft must have spent some time at the local library, in the travel and mythology sections, because the tale begins with a typical bout of Cairo and the desert, and soon shifts to a fairly traditional exposition of Egyptian religious lore and symbology. But when Houdini lies bound in the depths of the pyramid, alternating periods of nightmare and waking, the narrative takes a distinctively Lovecraftian turn.
Some say this story reminds them of "The Shunned House," which Lovecraft completed afterwards the same year, and they certainly share some of the aforementioned catholic atmosphere. Only I instead was struck by two things: 1) how H.H.'s explorations in the pyramidal dark evoke the first half of Poe's "The Pit and the Pendulum," and 2) how the procession of animal-headed gods observed by Houdini resembles the march of the frog-fish of Innsmouth.
Here for your enjoyment is a chip of the same procession:
The tramping drew nearer—heaven save me from the sound of those feet and paws and hooves and pads and talons as it commenced to acquire detail! Down limitless reaches of sunless pavement a spark of light flickered in the malodorous wind, and I drew behind the enormous circumference of a Cyclopic cavalcade that I might escape for a while the horror that was stalking one thousand thousand-footed toward me through gigantic hypostyles of inhuman dread and phobic antiquity. The flickers increased, and the tramping and anomalous rhythm grew sickeningly loud. In the quivering orange light there stood faintly forth a scene of such stony awe that I gasped from a sheer wonder that conquered even fear and repulsion. Bases of columns whose middles were higher than human sight . . . mere bases of things that must each dwarf the Eiffel Tower to insignificance . . . hieroglyphics carved by unthinkable easily in caverns where daylight tin can be only a remote legend. . . ....moreI would non look at the marching things. That I desperately resolved as I heard their creaking joints and nitrous wheezing above the dead music and the dead tramping. It was merciful that they did not speak . . . but God! their crazy torches began to bandage shadows on the surface of those stupendous columns. Heaven accept information technology abroad! Hippopotami should non have human hands and carry torches . . . men should not have the heads of crocodiles. . . .
past H. P. Lovecraft and Harry Houdini
Under the Pyramids was Lovecraft'due south original title but the first time it was published as Imprisoned with the Pharaohs.
Told in the commencement person, you follow Houdini on his visit to Egypt. The first office of the story reads like a travelogue, merely later the story becomes more sinister when he finds himself thrown into some kind of a cave or a tunnel underneath one of the pyramids. He stumbles blindly through the night post-obit a horrible odour and finds a cerem
iii.vby H. P. Lovecraft and Harry Houdini
Nether the Pyramids was Lovecraft's original title but the kickoff time it was published equally Imprisoned with the Pharaohs.
Told in the commencement person, you lot follow Houdini on his visit to Arab republic of egypt. The first function of the story reads like a travelogue, but later the story becomes more sinister when he finds himself thrown into some kind of a cave or a tunnel underneath one of the pyramids. He stumbles blindly through the nighttime post-obit a horrible smell and finds a ceremonial chamber. He is not lone.
At that place, he gets his answer he was wandering about during the twenty-four hour period: 'what huge and loathsome abnormality was the Sphinx originally carven to correspond?'.
The story itself drags rather. Possibly the descriptions of Arab republic of egypt and pyramids were more heady to contem
This story was ghost-written for Harry Houdini at the asking of J.C. Henneberger, the possessor of Weird Tales, and features Houdini has the main character and narrator. Brash Houdini is practically the antithesis of Lovecraft'southward usual anxious and intellectual primary characters, but Lovecraft does a decent job of changing character vocalization, although the descriptive prose remains pretty typical HPL.The story itself drags rather. Possibly the descriptions of Egypt and pyramids were more exciting to contemporary audience: Egypt was "in" and then and the number of stories and films set at that place were express. For a modern reader in that location are more exciting offerings. Or, y'all know, just lookout man an archeology or travel documentary.
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Ugh. This i was wearisome. :/ I skimmed a lot. However, I loved the catastrophe...that was creepy and unexpected and awesome. Honestly, the author should accept shortened information technology up, but thats merely my opinion.
Not a bang-up intro to Lovecraft, and so onto the next curt story.
Out of five stars, I stamp this with 2 stars.
Favorite Character(s):
This is first story I've read past HP Lovecraft. I'm a huge Poe fan (equally you all know) and my friend Court let me borrow her collection of Lovecraft'south works, then I give him a go.Ugh. This one was ho-hum. :/ I skimmed a lot. All the same, I loved the ending...that was creepy and unexpected and awesome. Honestly, the writer should have shortened it up, but thats only my opinion.
Not a cracking intro to Lovecraft, then onto the next brusque story.
Out of five stars, I stamp this with 2 stars.
Favorite Character(s): The one-half animal-mummies? LOL
Not-and then Favorite Character(s): No one really
I think there's something near Lovecraft'south writing mode that just inherently bugs me. Information technology'south overly descriptive, which sometimes I similar, simply in this state of affairs it just annoyed me. I really liked the dark tone and the descriptions of the setting, but it's just....to
Somehow this is the first H.P. Lovecraft story I have e'er read. Kind of a strange one to read kickoff, considering that it's the only affair he ever ghost-wrote, and it'southward ghost-written for Harry Houdini, which is just incredibly random.I recollect in that location's something about Lovecraft's writing style that just inherently bugs me. Information technology's overly descriptive, which sometimes I like, just in this situation it merely bellyaching me. I actually liked the nighttime tone and the descriptions of the setting, just it'due south just....to many words or something.
Also all that, I did kinda like this story. Information technology'south been a month or so since I read it, and it did actually stay with me a footling. It'south creepy and nighttime and grotesque, and made me want to learn more than about Harry Houdini, really :)
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2010.
This sharp and swifty story is unstoppable and unbelievable as presidency of Donald Trump. It cuts through your inner cadre.
Astonishingly atmospheric, eerie, dark and audacious, it gave me feelings of excitement that I have not felt since finishing reading Blacwood s "The Willows" or even as a kid when I watched dinosaur cartoons, I mean specifically on that dinosaur circus cartoon from the nineties.
Eh, where is my youth? Where is Scooby Doo?
The autodiegetic narrator (ak Wordsworth Editions
2010.
This sharp and swifty story is unstoppable and unbelievable as presidency of Donald Trump. Information technology cuts through your inner core.
Astonishingly atmospheric, eerie, dark and adventurous, it gave me feelings of excitement that I take not felt since finishing reading Blacwood s "The Willows" or even as a kid when I watched dinosaur cartoons, I hateful specifically on that dinosaur circus cartoon from the nineties.
Eh, where is my youth? Where is Scooby Doo?
The autodiegetic narrator (aka the protagonist himself) is a semi-voice of mister Houdini.
What? Mister Houdini?
Yes, considering this novella was written in collaboration between Lovecraft and Houdini. They were a crew back then, like Hezbollah and Islamic republic of iran today. This novella is a megafictionalized itinerary fragment of Houdini south real trip to Egypt.
The content is a fantastically fantastical fiction with the undead, semi- animals and semi-humans and a fauna with five heads!
The parts of the novella which partake in the tunnels make a parallel with "The Manuscript Institute in Saragossa" by the romanticistic Jan Potocki. Even the plot is very similar, an occult religion and airtight lodge, arcane cognition and a terrified protagonist. Simply Potocki has naked women so in that way he is better than Lovecraft, not even Lovecraft can beat romanticism.
The transhuman animallike rulers drop a connexion to David Icke.
Yous must, and I repeat, must read this novella!
If you do not read this novella you will never be able to become a citizen of Vatroslavia.
When I take over the world people who have not read this novella are going to have a hard fourth dimension.
¡Hasta luego!
https://world wide web.youtube.com/watch?five=3riXg... ...more
Excellently evokes the sense of superstitious horror connected to the mysteries of Ancient Egypt and the pharoahs in popular imagination. Atmospheric and maintains a horrid claustrophobic feeling of terror and suspense which Lovecraft is renowned for.
This was ghost written past Lovecraft for Harry Houdini and originally published in Weird Tales Magazine. Not a recommended starting point
"Egypt . . . truly, this night cradle of culture was e'er the wellspring of horrors and marvels unspeakable!"Excellently evokes the sense of superstitious horror connected to the mysteries of Ancient Egypt and the pharoahs in popular imagination. Atmospheric and maintains a horrid claustrophobic feeling of terror and suspense which Lovecraft is renowned for.
This was ghost written by Lovecraft for Harry Houdini and originally published in Weird Tales Magazine. Not a recommended starting point if you haven't read Lovecraft earlier, but essential reading for fans of his writing.
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Starring Harry Houdini, information technology begins to drag at a bespeak or two, but by the next page or so information technology absolves itself.
By and large, it is a adept read for All Hallows Eve.
Horror stories with Egyptian settings might have lost their lustre in the final hundred years or and then, but Lovecraft'due south stands, non always tall, the examination of time.Starring Harry Houdini, it begins to elevate at a point or two, but past the adjacent page or so it absolves itself.
By and large, it is a proficient read for All Hallows Eve.
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Travelogue--right on! (5 stars)
It's not i of Lovecraft's best works, but information technology has its moments If I could give this a 3.5 I would.
It'due south not ane of Lovecraft'southward all-time works, but it has its moments ...more
I was really hyped when I started reading this ane, but unfortunately, I institute Office 1 to exist a fleck boring. Information technology started well, just then it dragged on and on, talking virtually Giza and Kairo's monuments in such great detail, I felt like I was reading a lengthy tourist guide to Egypt. Alright, it was interesting sometimes, given that I personally love Egypt, but I really think that all these d Another actually interesting brusk horror story from Main Lovecraft! Still, this 1 wasn't without its faults.
I was actually hyped when I started reading this 1, but unfortunately, I found Part i to be a scrap boring. It started well, but and so it dragged on and on, talking most Giza and Kairo's monuments in such great detail, I felt like I was reading a lengthy tourist guide to Arab republic of egypt. Alright, information technology was interesting sometimes, given that I personally dear Arab republic of egypt, but I really think that all these details weren't needed, they could be less. Thus, there goes the final star.
And then I started Part 2, where Lovecraft finally gets to the core of the story. From that point on, it was as amazing every bit his other novels. *Captivating* temper, and the desriptions were so vivid, next matter I expected was to first actually smelling the decaying, dried air of the Pyramids all around me. I also liked the plot, and that ending.... information technology gave me chills.
I saw the horror and unwholesome antiquity of Egypt, and the grisly alliance information technology has e'er had with the tombs and temples of the dead. I saw phantom processions of priests with the heads of bulls, falcons, cats, and ibises; phantom processions marching interminably through subterraneous labyrinths and avenues of titanic propylaea beside which a man is as a fly, and offering unnamable sacrifice to indescribable gods. Rock colossi marched in countless night and drove herds of smile androsphinxes downwardly to the shores of illimitable stagnant rivers of pitch. And behind it all I saw the ineffable malignity of primordial necromancy, blackness and amorphous, and fumbling greedily after me in the darkness to choke out the spirit that had dared to mock it by emulation.
In my sleeping encephalon at that place took shape a melodrama of sinister hatred and pursuit, and I saw the blackness soul of Arab republic of egypt singling me out and calling me in inaudible whispers; calling and luring me, leading me on with the glitter and glamor of a Saracenic surface, but ever pulling me down to the age-mad catacombs and horrors of its dead and bottomless pharaonic heart.
What huge and loathsome abnormality was the Sphinx originally carven to stand for?
A question readers never know the answer to, but i for which Lovecraft has given abroad just enough clues to make me shut the book feeling a powerful sense of awe.
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Lovecraft plays off of these mysterious and frightening theories very well in this story, as a man falls into a cavern beneath an ancient pyramid and bears witness to some of the most horrifying abomina
Many archeologists take speculated that pyramids and other Egyptian artifacts hold some of the greatest secrets in the earth, even the universe in its entirety. Some have even speculated that they are proof of some kind of alien life that once visited earth to guide the earliest human being civilizations.Lovecraft plays off of these mysterious and frightening theories very well in this story, as a man falls into a cave beneath an ancient pyramid and bears witness to some of the about horrifying abominations that take lurked correct nether our noses since earlier the dawn of homo.
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"…I was presently to have my "magic powers" put to a supreme examination which would apace remove any egotism I might have gained through triumphing over all the tests offered by America and Europe."
Imprisoned with the Pharaohs, originally titled "Nether the Pyramids," is arguably the 53rd oldest surviving fictional work by American weird fiction author Howard Philips Lovecraft (1890-1937). It was first published in
1924: Imprisoned with the Pharaohs [Under the Pyramids] past H.P. Lovecraft & Harry Houdini"…I was soon to have my "magic powers" put to a supreme test which would quickly remove whatsoever egotism I might accept gained through triumphing over all the tests offered by America and Europe."
Imprisoned with the Pharaohs, originally titled "Under the Pyramids," is arguably the 53rd oldest surviving fictional piece of work by American weird fiction author Howard Philips Lovecraft (1890-1937). It was first published in May 1924 in Weird Tales. Lovecraft ghost wrote the novelette* for the famous escape artist, illusionist, and showman Harry Houdini (real name Erik Weisz, 1874–1926). Houdini manifestly provided the basic premise of a story to Lovecraft, probably that he was tied up past a grouping of men and thrown into a cavern of some kind during a trip to Egypt in 1910, and HPL was given the latitude to write whatever he wanted from there. The fact that these 2 men met and collaborated is astounding. That fact lonely makes Imprisoned with the Pharaohs worth reading.
The setting of the 2d half of the story is excellent, filled with bizarre elements of cosmic horror that just Lovecraft could accept created at this time. Nonetheless, I was a flake disappointed. The grapheme of Harry Houdini, at least the one he presented to the public, was a very physical and active adventurer. In this story, Imprisoned with the Pharaohs he is depicted as a typical Lovecraftian protagonist: a largely passive, vulnerable witness to the supernatural horrors. For instance, (view spoiler)[ nosotros never find out how he managed to escape from the terrible situation. Houdini is as well depicted fainting three times at his awe-inspiring circumstances. A trend towards fainting would have killed Houdini in the many of the daring escapes that he made earlier audiences. (hide spoiler)] I wish that this story was a fiddling more pulpy, meaning filled with heroic exploits, and a niggling less Lovecraftian, with cosmic horror'due south depiction of mankind as a helpful against larger forces. The first affiliate also spends too long describing the sights in Egypt for my sense of taste. I wanted the action to start a picayune more rapidly. Even so, the tale is genuinely suspenseful and makes adept utilise of ancient Egyptian imagery.
According to Joshi & Schultz (2001), "HPL received $100 for the tale, paid in accelerate" (p. 282), or $1,659 in 2022 dollars.~ Weird Tales was struggling financially in the early 1920s and the owner J.C. Henneberger reached out to Houdini to write a weekly article and submitted stories to the mag in hopes that his fame would bring readers. There was an "Inquire Houdini'' column and ii earlier weird stories published under the magician's proper noun. The 2 tales were "perchance ghostwritten by Walter Gibson" (p. 116). In February 1924, information technology was Henneberger that deputed Lovecraft this particular Egyptian story. Houdini told a story about existence attacked, then bound and gagged him while visiting Egypt in 1910. He stated that a band of ruffians threw him downwardly a shaft near Campbell'southward Tomb. Lovecraft concluded that the story was mostly or entirely fictitious, so he made nearly everything upward and changed to the setting to exist near the Sphinx instead, a much more dramatically effective choice.
According to Joshi & Schultz (2001), Lovecraft:
…wrote the tale hastily in the last week of February [1924], but then left the typescript in the train station in Providence while leaving to go to New York to marry Sonia H. Greene.(The advertizement HPL placed in the lost-and-found section of the Providence Journal supplies his original championship of the story.) Accordingly, he and Sonia spent much of their honeymoon preparing a new typescript of the story from HPL's shorthand manuscript, which fortunately he had brought with him. (p. 282).
Should accept been a blood-red flag, Sonia! Or, who knows, possibly she enjoyed this rather unconventional honeymoon?
It is possible that Houdini and Lovecraft met in person once for dinner in Providence, RI, but the bear witness is only circumstantial. Such a meeting would have been fascinating to discover! I could see someone turning it into an effective two-character play or picture show in the style of My Dinner with Andre (1981). The two had like interests. They both were fascinated by stories of the supernatural while too beingness critical of magical thinking, along with fake psychics and other charlatans that preyed upon their fellow superstitious human beings. Authors Kalush & Sloman (2006) provide an interesting expect at the work that Houdini did to debunk the spiritualists of his mean solar day who earned money by pretending to contact ghosts and other supernatural forces. Houdini wrote about these exploits in the book A Sorcerer Amidst the Spirits which he co-wrote with HPL's friend C.M. Boil, Jr. Like Lovecraft on Imprisoned with the Pharaohs, Eddy did not receive credit for this book. Records bespeak that Houdini later reached out to the two to work on a volume to be chosen The Cancer of Superstition, farther attacking supernatural conventionalities systems and providing a history of superstition, but this projection ended with the cracking human being's death in October 1926. According to Chicago Tribune reporter Mikula (2016), a fragmentary 31-page manuscript of this volume was found in 2016. We don't know what was written by HPL and what was written by Eddy. Whatsoever the instance, it would brand for a great read for fans of Lovecraft, Boil, and/or Houdini.
Title: Imprisoned with the Pharaohs (published title), Under the Pyramids (draft title)
Authors: H.P. Lovecraft & Harry Houdini
Dates: February-March 1924 (written)
Genre: Fiction - Novelette*, take a chance, horror
Discussion count: 10,962 words*
Date(due south) read: three/14/22-iii/fifteen/22
Reading journal entry #94 in 2022
Sources:
Link to the story: https://hplovecraft.com/writings/fict...
First publication citation: Weird Tales vol. 4, no. 2 (May-June-July 1924): iii–12 (as "Imprisoned with the Pharaohs").
Joshi, South. T., & Schultz, D. E. (2001). An H.P. Lovecraft Encyclopedia. Greenwood Printing.
~https://www.bls.gov/data/inflation_ca...
Kalush, W. & Sloman, L. (2006). The Secret Life of Houdini: The Making of America'due south First Superhero. Simon & Schuster.
Link to the epitome: Imprisoned with the Pharaohs (2014) by Muninsheim: https://www.deviantart.com/muninsheim...
Mikula, J. (31 March 2016). Houdini manuscript 'Cancer of Superstition' divides opinion over Lovecraft, Eddy ghostwriting. Chicago Tribune. Archived from the original on ii April 2016.
https://www.chicagotribune.com/entert...
*The difference between a short story, novelette, novella, and a novel: https://owlcation.com/humanities/Unequal......more thanVignette, prose poem, flash fiction: 53 - 1,000 words
Brusk Stories: ane,000 - vii,500
Novelettes: vii,500 - 17,000
Novellas: 17,000 - 40,000
Novels: xl,000 + words
It'south part two that gives the dark clarification of what I believe to be a dreamlike hypnotic state with terrifying illusions, and information technology'due south great! Because his circumstances, the
Imprisoned with the Pharaohs - the kickoff twenty or then minutes is just a walkabout of Egypt and a history lesson. It's pretty and informative in a didactic sense, but not essential to the plot. And then finally, there's a fistfight and the ball gets rolling. A kidnapping and a live burial later - this story takes off nicely.It'southward function ii that gives the dark description of what I believe to be a dreamlike hypnotic state with terrifying illusions, and it's peachy! Because his circumstances, the protagonist is strangely far also confident about escape only then we get back to a history lesson on mummification. He attributes luck to the escape of his bindings, gag, and blindfold and, funny enough, admits to digressing. Afterward a long, chilling journey through the tunnels, happening upon what appears to exist an aboriginal anniversary, he finally makes it out merely allows that his fear was only that of horrible visions in a dream.
This ane is, ehhhhh.
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Pretending to be Harry Houdini (whom he knew and worked with after this story was published), Lovecraft tells the story of a travel to Egypt and the subsequent mysteries that occurred after a midnight tour of the pyramids. The writing was as good as I remembered, brindled heavily with his favourite adjectives, and I similar I hadn't read Lovecraft in quite a while, and as I was browsing an online bookshop to observe new brusque stories, I decided to cheque out this i; the championship was quite intriguing.
Pretending to exist Harry Houdini (whom he knew and worked with subsequently this story was published), Lovecraft tells the story of a travel to Egypt and the subsequent mysteries that occurred later a midnight tour of the pyramids. The writing was as good as I remembered, brindled heavily with his favourite adjectives, and I liked the Egyptian atmosphere, even if he was quite heavy handed on the info dumping part of the story (and the basic xenophobia of Egyptian people).
It was entertaining, merely also quite different from his other stories I experience, and next I'd quite like to read others more typical of his manner and mythology, like "The Outsider". ...more
I only call up that if the story was much longer it would be great, I felt I had finished it then speedily..but it'due south still a very good one. ...more than
img src="https://pbs.twimg.com/media/EvQ2xN0U4..."
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http://politicsbooksandme.com/2021/12...
But I gotta be honest with you here and say that this brusk story was boring and very uninterested. And I oft found myself skimming through this story because I just couldn't focus at the plot or annihilation in this brusk story.
The clarification which H. P. Lovecraft and Harry Houdini provide usa are the second best thing in this short story. The description actually gives you lot the chills which I personally am a huge fan of.
Withal this shor
Total REVIEW ON MY Web loghttp://politicsbooksandme.com/2021/12...
But I gotta be honest with you here and say that this short story was boring and very uninterested. And I ofttimes found myself skimming through this story considering I just couldn't focus at the plot or anything in this short story.
The clarification which H. P. Lovecraft and Harry Houdini provide us are the second best thing in this brusk story. The clarification really gives you lot the chills which I personally am a huge fan of.
Yet this short story involves too much descriptions which does not quite captivate me.
The writing style in the one was probably the worst I've seen H.P Lovecraft practise in his brusque stories. It really surprised me how bad they information technology was.
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The style is....obviously....Lovecraftian: the words "cyclopean" and "eldritch" are used.
The terminal judgement was a little out of place, and in my opinion weak. However this storty is hailed every bit one of Lovecraft's best.
This short story was written by Lovecraft, but credited entirely to Harry Houdini.The style is....apparently....Lovecraftian: the words "cyclopean" and "eldritch" are used.
The terminal judgement was a lilliputian out of identify, and in my stance weak. Still this storty is hailed equally 1 of Lovecraft's all-time.
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Lovecraft's major inspiration and invention was cosmic horror: life is incomprehensible to human minds and the universe is fundamentally conflicting. Those who genuinely reason, like his protagonists, take chances with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a
Howard Phillips Lovecraft, of Providence, Rhode Island, was an American author of horror, fantasy and science fiction.Lovecraft's major inspiration and invention was cosmic horror: life is incomprehensible to human minds and the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism and Christianity. Lovecraft's protagonists ordinarily attain the mirror-opposite of traditional gnosis and mysticism past momentarily glimpsing the horror of ultimate reality.
Although Lovecraft's readership was limited during his life, his reputation has grown over the decades. He is now commonly regarded as one of the most influential horror writers of the 20th Century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe.
— Wikipedia
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